I really love the consistency of lino-block for carving. It's easy to cut, but also holds thin lines and stands up well to multiple pressings. I have started to notice, however, that some of my older stamps are beginning to curl and fray a bit around the edges and only a week or two ago I mentioned to T that I needed to figure out a way to attach the lino-block to something harder to preserve the stamps and make it easier to get a consistent print.
So, imagine my delight when on a lovely Saturaday walk in Chinatown I popped into one of my favourite discount art stores and found these:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjuGF74vdYNOMUaWEJ5CTUuCd_ZzG9Nn2iAJmwADNJwOl0VHby_EwPDEdL8T6bcSDZXxBGK15toiPK4AftQeEfB_1gxYQcKH43AKBjxEEVdKziZgijHfk2bEX_TBdlWOPCeOG81OGgsWWbf/s320/CIMG3514.JPG)
I'm so excited to experiment with these new blocks. If they work out, then I think I have a much better chance of getting my stamps to be a little more consistent (less wasting cards!) and ensuring that they last longer.
My first stamp on the lino/wood block is going to be this Victorian baby carriage:
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1ecgYYWfUGEwBJnlNRK9uUG2juxWvmoHlUGNRanRPerVE4ACU15NL-ClPGBbZkfnwHa7sznnD63TiRNgTm0Z9t_BY8kaIMIAdawKuygab7lewFztes682YY4PiFNfkh84-BWKnSfHMntO/s320/CIMG3519.JPG)
I'm only about a third of the way throught carving it and I've already made a few mistakes, so I'm not sure if it's going to be a success. I do need to get some good baby stamps into production though because exciting baby news has been pouring in!
Who is having a baby???
ReplyDeleteAbout 100 women in my office, cousins, close friends... It's ridiculous! (But not me, just to clarify)
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